Oct. 23, 2024

Boostagram Ball - Episode 25

Boostagram Ball - Episode 25
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Boostagram Ball - Episode 25

Boostagram Ball - Episode 25

Boostagram Ball Episode 25 October 23d 2024

Boostagram Ball is a music podcast where we automatically switch to the artists' wallet when playing their songs

Use a modern podcast app from podcastapps.com to support the show and the music:

Fountain

Podverse

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Podcast Addict

LNBeats.com

More added daily!

If you want to creat your own V4V Music Show Check out:

The Split Kit

RSSBlue.com

Podhome.Fm

Music on Today's Show:

The Doerfels - Disco Swag
Longy - Love Schizophrenia
Embleton - You're Killing Me
Rebel Hero - Run
Abel James - Voodoo Queen
Kara Frazier - I Wanna Be Your Woman (feat. The Aquaducks)
CHARLEY T - Runnin'
Red Arrow Highway - Leaving Chicago
Herbivore - Pixelated Smile
JoJo Scott - Honey Girl
bennyjeans - WHY (did you do this to me)
Martin Grooms - The Hard Way
Nicky and the Shouts - Don't be a fool
ARREIS - Five More Minutes
Oceana Heartsong - Sheets of Rain
Two Weeks In Nashville - Don't Take This For Granted
Adam Kirkup - Be At Home
Alicia Stockman - Halfway to Houston

Onboard your favorite artists, send them to:

Podcastindex.org

MusicSideProject.com

RSSBlue.com

Podhome.fm

Podcastmirror.com

Conshax.app

Fountain.fm

More info on the show: BoostagramBall.com

Transcript
1
00:00:08,460 --> 00:00:12,600
Adam Curry: Hello, everybody.
Welcome to boost the gram ball.

2
00:00:12,600 --> 00:00:16,860
You are now welcome into Episode
number 25 Hello, Dr Scott

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00:00:16,860 --> 00:00:20,480
boosting the ball with his 777.
Are you ready to go? We got more

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00:00:20,480 --> 00:00:23,300
than an hour of the best tracks
from the value verse and of

5
00:00:23,300 --> 00:00:25,400
course, the artists get all the
signs.

6
00:00:40,000 --> 00:00:46,780
Unknown: The room, make the
first move, but it's different

7
00:00:47,620 --> 00:00:56,260
with you set free. Show

8
00:01:01,060 --> 00:01:05,340
me all the hands around your

9
00:01:08,100 --> 00:01:09,180
waist, lips. Don't

10
00:01:09,180 --> 00:01:10,860
close it like it takes. Show

11
00:01:10,920 --> 00:01:17,400
me what I needed to show me
inside, take the boat ride. Show

12
00:01:17,400 --> 00:01:24,080
me what I missed before I mess
with you with me, slow

13
00:01:25,520 --> 00:01:28,040
and I'll take you where you want
to go.

14
00:01:28,220 --> 00:01:28,880
Show me all the

15
00:01:40,000 --> 00:01:50,440
you said, Show me what You got,
girl.

16
00:02:05,460 --> 00:02:06,600
Show me what you got. So much.

17
00:02:20,000 --> 00:02:28,280
You dance with me.

18
00:02:51,340 --> 00:02:53,920
Adam Curry: Kick off episode
number 25 of booster Grand Ball,

19
00:02:53,920 --> 00:02:57,460
their latest the disco swag.
Show me what you got please. Are

20
00:02:57,460 --> 00:03:01,800
you ready for a fantastic ball
roar. Thank you very much to the

21
00:03:01,800 --> 00:03:04,740
apostle of the value verse,
James Costello, who has been

22
00:03:04,740 --> 00:03:07,200
helping me out, getting me all
the best tracks to line up for

23
00:03:07,200 --> 00:03:10,320
you, including this one from
Longy, who, by the way, is from

24
00:03:10,320 --> 00:03:13,200
the east side of London, in case
you looking for him. This is

25
00:03:13,200 --> 00:03:16,140
love schizophrenia on the ball.
They

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00:03:16,140 --> 00:03:20,520
Unknown: say you only get one
you truly know. Don't you stop.

27
00:03:21,480 --> 00:03:26,540
Don't you start. I'd see and
watch the blue in the spot we

28
00:03:26,540 --> 00:03:33,020
made to grow. Don't you start.
Don't you start. You trick the

29
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sweets, the one I never thought
that anyone would find now see

30
00:03:41,320 --> 00:03:43,720
the color of my poison running
through. Don't you start. Don't

31
00:03:43,720 --> 00:03:46,840
you start. You start me through
the wall in every way you can

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disturb some

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fire i i try to shelter

34
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us from storm. Our strong

35
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storms need for ways.

36
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It's free smashed all the
pictures left them burning in

37
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the rage I eat them through the
clothes you bore the spice to

38
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the flames. Did I ever feel the
souls I live by your side. These

39
00:04:41,860 --> 00:04:46,300
Love is like a feather. I'm
trying to bury me alive. Well

40
00:04:46,300 --> 00:04:50,020
now you're gonna play my game,
bitch, and I'll show you why.

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00:04:50,020 --> 00:04:52,600
Means you always work the song
into

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00:04:52,660 --> 00:04:56,140
every country like a rap in the
headlights you got coming

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true. Will never try. We walk,
we serve you.

44
00:05:20,000 --> 00:05:25,160
Oh, we walk these swirls

45
00:05:39,740 --> 00:05:41,080
together For the size kiss free.

46
00:06:02,800 --> 00:06:11,820
Me, East.

47
00:06:12,060 --> 00:06:15,240
Adam Curry: And if you are not
using a modern podcast app, get

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00:06:15,240 --> 00:06:18,300
your butt over to podcast
apps.com so you can boost these

49
00:06:18,300 --> 00:06:21,620
artists, give them the sets as
we play the tracks.

50
00:06:21,860 --> 00:06:23,360
Unknown: Sunrise coming.

51
00:06:25,520 --> 00:06:30,980
I'm guilty again. Rooster
crowing.

52
00:06:32,360 --> 00:06:41,560
It's not the first time I see
you running. You kiss my neck.

53
00:06:41,560 --> 00:06:41,740
Pick

54
00:06:45,040 --> 00:06:47,800
me up again. The

55
00:07:02,620 --> 00:07:02,920
Soul.

56
00:07:20,000 --> 00:07:32,900
You, Jesus, your King.

57
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I thought you were a ghost just
in there. Didn't care always,

58
00:07:55,600 --> 00:08:00,780
man, looking for the bad in me.
I compared you to my dad. To be

59
00:08:00,780 --> 00:08:04,020
honest, I've been wondering if
you could really love me. I

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00:08:04,020 --> 00:08:04,200
thought

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00:08:05,940 --> 00:08:08,640
you were standing there, didn't
care, always mad, looking for

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00:08:09,000 --> 00:08:15,180
the bed in me. I compared you to
my dad. To be

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00:08:16,560 --> 00:08:19,380
honest, I've been wondering if
you could really Love Me.

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00:08:20,820 --> 00:08:24,980
If you said you're dying, don't

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she only

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don't she Only your killing

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me with kindness,

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Oh, I hear singing.

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With kindness.

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00:10:10,799 --> 00:10:14,099
Adam Curry: Early in the booster
gram ball here today, Hamilton,

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00:10:14,099 --> 00:10:20,419
you're killing me with kindness.
I love this song, man, the

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00:10:20,419 --> 00:10:23,179
booster grams are stacking up
hot and heavy. I will have to

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00:10:23,179 --> 00:10:25,639
break them down in just a minute
and let you know all about them.

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00:10:25,639 --> 00:10:28,219
People are boosting big time
here for all of these artists,

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00:10:28,219 --> 00:10:33,739
and look what Jimmy V brought
into the value. Verse, oh man.

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00:10:35,239 --> 00:10:37,939
Producer, Jim got this one for
me and said, Oh, you're gonna

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00:10:37,939 --> 00:10:41,139
love this. These guys are from
Toronto, candinavia. Check them

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00:10:41,139 --> 00:10:44,259
out. Rebel hero run on the boost
to grab Ball.

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00:11:00,000 --> 00:11:00,600
Unknown: Healing. Who's

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00:11:19,799 --> 00:11:22,979
gonna care?

81
00:11:30,740 --> 00:11:41,600
Of your tail

82
00:11:42,799 --> 00:11:52,419
you will never heal all Some
broken things

83
00:12:01,539 --> 00:12:52,479
you can't repay. You're always
on. Masquerading around

84
00:13:20,000 --> 00:13:57,580
You fall down. Running My

85
00:14:02,800 --> 00:14:34,100
Adam Curry: head. Oh, holy
string Bender Batman, what is

86
00:14:34,100 --> 00:14:37,820
going on right now? That is
Rebel hero. Run on boosted Grand

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00:14:37,820 --> 00:14:41,920
Ball episode number 25 man.
Thank you very much. Jimmy V for

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00:14:41,920 --> 00:14:44,620
onboarding those guys. Let's run
down some booster. Grams, we got

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00:14:44,620 --> 00:14:47,980
a joint 250 SATs saying, boost
to Grand Ball is the best show

90
00:14:47,980 --> 00:14:52,060
in the universe. In the balls.
Yes, hit the balls. We say it VR

91
00:14:52,180 --> 00:14:56,740
in the ballroom. Heather Larsen,
hey, Heather. Brand new to

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00:14:56,740 --> 00:14:59,380
podcasting. Next. Talk,
socialize. Boost them for all.

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00:14:59,380 --> 00:15:04,140
Me, Jimmy. With 1000 SATs. Eric
PP, boosting rebel hero with

94
00:15:04,200 --> 00:15:08,040
3333 salty crayon also boosting
rebel hero. Always love to hear

95
00:15:08,040 --> 00:15:10,440
some rebel hero who says, heard
it on the boost to Grand Ball

96
00:15:10,440 --> 00:15:13,440
number 25 Yes, that is always
very helpful if you put that in

97
00:15:13,440 --> 00:15:17,220
your booster. Gram 1111, SATs
from him, 4440 from cotton gin,

98
00:15:17,640 --> 00:15:21,200
who just says, I like running
via hashtag. Booster. Gram ball,

99
00:15:21,200 --> 00:15:24,560
3333 from cotton gin for
kindness, plus, plus, yeah,

100
00:15:24,560 --> 00:15:30,020
that's an extra karma for
Embleton, of course. Chat up

101
00:15:30,020 --> 00:15:33,680
with 1000 SATs who love, love
schizophrenia on the boost to

102
00:15:33,680 --> 00:15:38,600
Grand Ball. That, of course, was
from Longy. We got 333, from

103
00:15:38,600 --> 00:15:42,100
salty crayon, also from Longy.
Another 1000 from Heather

104
00:15:42,100 --> 00:15:45,520
Larson, boost for Longy and the
legend, Jim Costello, two of her

105
00:15:45,520 --> 00:15:48,760
face. Well, yes, I would have to
say Jim Costello has been doing

106
00:15:48,760 --> 00:15:52,960
a Costello job producing boost
to Grand Ball. It's really made

107
00:15:52,960 --> 00:15:56,380
it possible for me to even do
this every 14 days. Of course,

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00:15:56,380 --> 00:16:00,220
we are leading up to Adam
Curry's booster gram ball live

109
00:16:00,520 --> 00:16:05,460
at antones in Austin on December
16. I'm very excited about that

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00:16:05,460 --> 00:16:08,940
show. Hopefully we will soon be
able to tell you who's going to

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00:16:08,940 --> 00:16:11,820
be appearing. And thank you.
Chad up for your 3333 for the

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00:16:11,820 --> 00:16:14,760
Dorff, which is what we kicked
off boost the grand ball with

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00:16:14,760 --> 00:16:19,080
today. And now another one of
those tracks. It just makes you

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00:16:19,080 --> 00:16:24,080
go, oh yeah. Voodoo Queen Abel
James right here in the boss

115
00:16:24,260 --> 00:16:30,800
Unknown: their bedroom. We're
the Voodoo queen. This cold

116
00:16:30,800 --> 00:16:38,180
sweat is clinging to my bones.
She's like Ty grilled and I'm

117
00:16:38,180 --> 00:16:47,860
trembling because I know she's
sharpening her claws. Lord, I

118
00:16:47,860 --> 00:16:57,880
can't escape this tangle If she
eats. No, no. I used to laugh at

119
00:16:57,880 --> 00:17:02,220
magic, but now I do believe.

120
00:17:09,299 --> 00:17:16,019
No, my eyes are red and my body
wakes up, roof and blue.

121
00:17:17,279 --> 00:17:18,659
She can't be tamed.

122
00:17:19,799 --> 00:17:21,559
There's nothing I can do

123
00:17:23,420 --> 00:17:26,120
when she's stirring up that
witch is rude,

124
00:17:29,600 --> 00:17:33,020
Lord I can't escape. No, no.

125
00:17:40,060 --> 00:17:41,260
After badges. Now I do believe.

126
00:17:43,060 --> 00:17:44,800
Now, I do believe.

127
00:18:13,320 --> 00:18:17,640
Well, I sail a bedroom with a
voodoo Queen just cold, sweaty,

128
00:18:18,300 --> 00:18:23,000
clinging to my bones. She's like
Tigres, and I'm trembling

129
00:18:24,860 --> 00:18:29,600
because I know she's shopping.
Lord, I

130
00:18:29,840 --> 00:18:30,500
can't escape

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00:18:57,820 --> 00:19:04,140
now I do booze Now I do believe
Now, I do believe you.

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00:20:00,000 --> 00:20:17,400
If you're listening to Instagram
ball with Adam curry, where

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00:20:17,400 --> 00:20:20,780
we're changing the Music
Industry one Satoshi at a time

134
00:20:20,780 --> 00:20:20,900
I'm

135
00:20:42,020 --> 00:20:45,880
holding up. Up to

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00:20:45,880 --> 00:20:56,320
the days when we were here, when
I was just above and you were

137
00:20:56,320 --> 00:21:05,940
the boy next door. Then you let
this time to make something

138
00:21:06,600 --> 00:21:14,280
yourself. They brought you back
around, but don't put me On the

139
00:21:14,280 --> 00:21:14,820
shelf. Not a

140
00:21:16,140 --> 00:21:21,440
Child. Oh, not,

141
00:21:34,640 --> 00:22:27,500
a Child. Oh, don't you see your
heart will I can't change your

142
00:22:27,500 --> 00:22:31,400
mind. Just remember what's on
the line in time. You better

143
00:22:34,400 --> 00:22:40,660
keep me open. I'm Gonna keep

144
00:22:51,040 --> 00:23:22,700
so I Wanna Be

145
00:24:35,480 --> 00:24:39,560
Adam Curry: Cara Frazier, I want
to be your woman. She is from

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00:24:39,560 --> 00:24:43,720
Nashville. Before that from
Austin, we have Abel James with

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00:24:43,720 --> 00:24:47,920
The voodoo queen, and I do love
the women that producer Jim has

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00:24:47,920 --> 00:24:51,160
brought to the show this week.
Here's Charlie T empty

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00:24:51,340 --> 00:24:56,080
Unknown: bottles all over my
desk. I wanted for the moon, but

150
00:24:56,080 --> 00:25:03,060
I kind of like the message like
my. I running out of space and

151
00:25:03,540 --> 00:25:04,620
running my Life, but

152
00:25:22,260 --> 00:25:22,920
I know I can't run.

153
00:25:30,200 --> 00:25:50,500
I've been Oh, every day I know
there's A way to stare out,

154
00:26:00,640 --> 00:26:01,500
But I can See

155
00:26:20,000 --> 00:26:21,140
been funny.

156
00:27:15,720 --> 00:27:17,760
It I've been running the

157
00:27:22,740 --> 00:27:38,840
first you know,

158
00:27:38,840 --> 00:27:41,440
Adam Curry: you can take all
These songs and put them right

159
00:27:41,440 --> 00:27:46,300
up in your AI, slow song
creator, where the sun don't

160
00:27:46,300 --> 00:27:49,180
shine, hold if you know what I'm
talking about, there's no way,

161
00:27:49,420 --> 00:27:51,880
there's no way you can create
that kind of soul with

162
00:27:51,880 --> 00:27:55,240
artificial intelligence. Just
not gonna happen. I do want to

163
00:27:55,240 --> 00:27:57,700
thank a couple other people, of
course, besides Jim Costello.

164
00:27:57,700 --> 00:28:02,400
You can find him at phantom
power music.io if you want to

165
00:28:02,400 --> 00:28:04,980
get some help getting up on the
in the value verse, of course,

166
00:28:04,980 --> 00:28:07,380
there's many other places you
can go. You got wavelength. You

167
00:28:07,380 --> 00:28:12,060
got RSS, blue.com, you got pod
home.fm, there's tons of places

168
00:28:12,060 --> 00:28:15,720
that will be more than happy to
help you out. The whole DMU

169
00:28:15,720 --> 00:28:19,260
music scene is out there in
large force. Also, you can

170
00:28:19,260 --> 00:28:23,000
listen to us at LM beats.com,
special, thanks to Steven Bell.

171
00:28:23,480 --> 00:28:26,480
Without him, none of this will
be possible. He made the split

172
00:28:26,480 --> 00:28:29,660
kit. He got sovereign thieves
going. Thank you very much to

173
00:28:29,660 --> 00:28:33,560
Eric PP for the helipad. Thank
you to the entire community over

174
00:28:33,560 --> 00:28:37,100
there at podcast index, dot
social, where we make it all

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00:28:37,100 --> 00:28:40,460
happen. That's right. Magic.
Wallet switching technology. You

176
00:28:40,460 --> 00:28:43,540
get one of those modern podcast
apps. Hook up a wallet. You fill

177
00:28:43,540 --> 00:28:45,940
it up with some Satoshis. You
can send it off the minute.

178
00:28:45,940 --> 00:28:49,420
We're playing the song that
track will get all the sets if

179
00:28:50,020 --> 00:28:52,300
you're brand new. Don't have a
wallet, don't know what we're

180
00:28:52,300 --> 00:28:55,240
talking about, fountain.
Fountain.fm is a good way to get

181
00:28:55,240 --> 00:28:58,720
started. They give you a wallet
right off the bat. Now boost the

182
00:28:58,720 --> 00:29:02,700
grams coming in from Chad F.
Loved running by Charlie T on

183
00:29:02,700 --> 00:29:05,580
the booster gram ball with 1000
SATs cotton gin. Also likes

184
00:29:05,580 --> 00:29:12,300
running. He also has deja vu,
and he put in 101,234 Satoshis.

185
00:29:12,480 --> 00:29:15,840
Herbivore band, ah, I'm glad
you're here, herbivore band,

186
00:29:15,840 --> 00:29:19,140
because I happen to have one of
your tracks lined up. 2000 SATs.

187
00:29:19,140 --> 00:29:24,080
Said, loving this vibe, and
cotton gin again. I mean, these

188
00:29:24,080 --> 00:29:26,540
are cotton gin is just boosting
his balls off here, but that's

189
00:29:26,540 --> 00:29:29,600
what we know in the boosted RAM
ball. And you can find your

190
00:29:29,600 --> 00:29:34,940
modern podcast app at podcast
apps.com Yeah, it's all new. I

191
00:29:34,940 --> 00:29:37,520
was just talking to Tina this
morning. The keeper said, How's

192
00:29:37,520 --> 00:29:39,740
that going? You know, are the
people doing these shows that

193
00:29:39,740 --> 00:29:43,540
you better believe they are. And
gotta remember, the future of

194
00:29:43,540 --> 00:29:49,360
media is small. Yeah, we won't
be Britney Spears, Taylor Swift,

195
00:29:49,360 --> 00:29:53,620
Beyonce, but you've got very
loyal audiences who support the

196
00:29:53,620 --> 00:29:57,700
music, and that's what it's all
about. She's

197
00:29:57,700 --> 00:30:00,960
Unknown: on the night trains
leaving. She's caught. Go. Got

198
00:30:00,960 --> 00:30:04,800
about me before she got through
Ohio. She's still scared

199
00:30:04,860 --> 00:30:09,900
airports be there tomorrow. I
said, Wherever you go, I'll

200
00:30:09,900 --> 00:30:14,640
follow. But I think that that
gesture might be hollow, cause

201
00:30:14,640 --> 00:30:19,980
deep down, I know they're not
gonna go. I had to see how I

202
00:30:20,040 --> 00:30:24,620
feel tomorrow. Glad you're on a
night train leaving Chicago,

203
00:30:24,620 --> 00:30:31,520
because I like here more than
her feeling we are changing to

204
00:30:31,520 --> 00:30:33,080
her. She's on a night train
leaving Chicago.

205
00:30:33,080 --> 00:30:40,240
She's on a night train leaving
Chicago. Sleep

206
00:30:58,900 --> 00:31:02,220
in Chicago the way the ring
sounds on these shingles, like

207
00:31:02,280 --> 00:31:06,120
the way the sun shines through
these windows. I like the view

208
00:31:06,120 --> 00:31:11,040
from what I've got. I'm freezing
time here. I'm breaking the

209
00:31:11,040 --> 00:31:16,380
clocks. Wind is just air filling
up the vacuum. Then I will not

210
00:31:16,500 --> 00:31:20,600
move no follow me a statue. You
can change the house, but he

211
00:31:20,600 --> 00:31:25,520
stuck with the view. I like this
one go find something new,

212
00:31:25,640 --> 00:31:31,280
because I like you. Are
changing.

213
00:31:40,000 --> 00:31:45,820
I feel we are changing to her,
rooting

214
00:31:48,760 --> 00:31:52,720
for her, watching her foot. I
think it's a sign that

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00:31:52,720 --> 00:31:57,640
this doesn't hurt. She's on a
night swing leaving Chicago.

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00:31:57,640 --> 00:31:57,820
She's

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00:31:57,820 --> 00:32:00,040
on a night train leaving
Chicago.

218
00:32:00,340 --> 00:32:11,040
She's on a night train leaving
on

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00:32:11,820 --> 00:32:15,120
a night train leader in Chicago.
She's on a flight train here in

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00:32:15,360 --> 00:32:15,720
Chicago.

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00:32:22,920 --> 00:32:31,880
Adam Curry: Oh, Red Arrow
highway, one of the first

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00:32:31,880 --> 00:32:35,000
strikes we played here on the
Bucha Grand Ball, early, early

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00:32:35,000 --> 00:32:38,180
days. And that's kind of the
point here is we want to make

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00:32:38,180 --> 00:32:40,820
sure we remind you of some of
the older songs and the value

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00:32:40,820 --> 00:32:43,480
verse. Play you some new stuff.
Play you some of the big banger

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00:32:43,480 --> 00:32:48,040
hits, all of that here on the
ball every every other week.

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00:32:48,700 --> 00:32:51,400
Gonna try and do it every other
week? Hey, they were just

228
00:32:51,400 --> 00:32:53,920
boosting for another band. Boost
for them. Now, herbivore,

229
00:32:53,920 --> 00:33:00,120
pixelated smile on the booster
gram ball. You I

230
00:33:03,780 --> 00:33:05,280
Unknown: know more about you
from

231
00:33:06,720 --> 00:33:11,160
interact with you each day,

232
00:33:18,839 --> 00:33:26,479
from behind the screen of much
to say. Formulating words for

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00:33:26,479 --> 00:33:28,159
each other. At

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00:33:40,640 --> 00:33:47,200
least I curse

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00:33:47,200 --> 00:33:48,760
your dick, smile, Waste of time.

236
00:34:13,320 --> 00:34:13,860
Oh, here every

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00:34:22,860 --> 00:34:43,240
day. Find wasted. I just have to
ask you. Myself, I.

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00:36:04,739 --> 00:36:07,379
Adam Curry: By the way, in the
fountain app, the new version,

239
00:36:07,379 --> 00:36:10,979
you can now find a music tab.
You can go straight to all of

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00:36:10,979 --> 00:36:13,379
the tracks that you like. You
can favorite them, build your

241
00:36:13,379 --> 00:36:15,779
own playlist, and, of course,
boost them to your heart's

242
00:36:15,779 --> 00:36:20,119
content. What's so great about
this value verse is it brings so

243
00:36:20,119 --> 00:36:23,119
many different styles of music,
so many different talents of

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00:36:23,119 --> 00:36:26,299
people all together. Booberry,
of course, has been all over

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00:36:26,299 --> 00:36:29,179
herbivore. I believe they, yeah,
they performed at bands of

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00:36:29,179 --> 00:36:32,959
Bitcoin. We do tons of live
concerts and events, all kinds

247
00:36:32,959 --> 00:36:36,559
of things that are just outside
of the norm of what people would

248
00:36:36,559 --> 00:36:40,339
call the industry. So we just
stick up our mingle middle

249
00:36:40,339 --> 00:36:43,179
finger to the industry we don't
care about that. Hey, this is

250
00:36:43,179 --> 00:36:45,759
JoJo Scott. She too was at bands
at Bitcoin.

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00:36:46,180 --> 00:36:50,440
Unknown: You were born in the
clouds, and you came back foot

252
00:36:50,440 --> 00:36:55,540
and down to the like skies
sprinkle nights that magic that

253
00:36:55,540 --> 00:37:01,680
we felt. I was out on the sea
while waves crushed around me,

254
00:37:01,680 --> 00:37:06,600
got back to lane, sold your
hands, no seafoam, to be safe,

255
00:37:06,600 --> 00:37:08,940
just meet certain green. Why you
call her now, she became your

256
00:37:08,940 --> 00:37:12,540
world that if you did it,

257
00:37:20,000 --> 00:37:29,000
call honey some flowers.

258
00:37:40,000 --> 00:37:46,480
Honey, some flowers and daisy
chains, lovely breeze and rosy

259
00:37:46,480 --> 00:37:51,280
haze, little bumble bees buzzing
around me and pigs is out to

260
00:37:51,280 --> 00:37:57,100
play, but magic didn't see us
too, besides me, when enough for

261
00:37:57,100 --> 00:38:01,620
you broke your wings in the
broken dreams, no fairy dust to

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00:38:01,620 --> 00:38:08,580
be A scene just you came to call
honey now she

263
00:38:21,440 --> 00:38:24,620
the world I love you.

264
00:38:39,320 --> 00:38:41,960
To attach my mom because you
call a honey girl, honey girl,

265
00:38:41,960 --> 00:38:44,620
honey girl, honey girl. Says,
was it a golden arc

266
00:38:45,820 --> 00:38:46,600
catching in

267
00:38:48,880 --> 00:38:52,300
the light? What made us so
sweet? Was it the difference

268
00:38:52,300 --> 00:38:56,500
between you and me? You keep
calling her mom sherry. I'm

269
00:38:56,500 --> 00:38:59,140
hoping it doesn't work out. I
can't see a cow, honey. Girl.

270
00:39:18,420 --> 00:39:21,560
Me too, kind. Tax for my own
good cause you call a honey

271
00:39:22,100 --> 00:39:29,000
girl, honey girl, honey girl,
honey girl, honey

272
00:39:38,180 --> 00:39:39,320
girl, honey girl, honey

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00:39:42,800 --> 00:39:42,980
girl,

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00:39:44,800 --> 00:39:45,820
you've got a honey girl,

275
00:39:45,880 --> 00:39:48,760
Adam Curry: Jojo Scott, man, I
love what Jojo is doing. That's

276
00:39:48,760 --> 00:39:52,180
fantastic. Honey girl on the
booster Grand Ball episode

277
00:39:52,180 --> 00:39:57,760
number 25 Thank you very much.
Chad F boosting it again for Jo

278
00:39:57,760 --> 00:40:02,160
Jo Scott Sal to crayon, boosted
for her. War. Now we do want to

279
00:40:02,160 --> 00:40:04,560
play some other songs that
you've heard before, and this is

280
00:40:04,560 --> 00:40:08,580
another great example sounding a
Bit like tears for fierce. It's

281
00:40:08,580 --> 00:40:09,600
Benny jeans. Oh.

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00:40:27,500 --> 00:41:34,040
Unknown: Sees I felt

283
00:41:41,239 --> 00:41:41,919
That night so

284
00:42:20,120 --> 00:42:25,580
give something to

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00:42:40,000 --> 00:42:53,200
Adam Curry: stern. That's the
kind of song you just want to

286
00:42:53,200 --> 00:42:59,020
put the top down drive around
nice 79 degrees Benny jeans. Why

287
00:42:59,020 --> 00:43:02,280
did you do this to me? By the
way, now is a very good time to

288
00:43:02,280 --> 00:43:05,700
be boosting these artists. Looks
like Bitcoin is taking just a

289
00:43:05,700 --> 00:43:12,180
tad of a breather at what are we
at? 65,746 which means when you

290
00:43:12,180 --> 00:43:16,680
boost the artists now, you know,
when this thing goes to 120 or

291
00:43:16,680 --> 00:43:19,740
whatever, the next all time high
stop is going to be, it's going

292
00:43:19,740 --> 00:43:22,760
to be, well, about twice that
amount, even just a little bit

293
00:43:22,760 --> 00:43:26,240
of a pump will make it better
for them. Martin groom's now on

294
00:43:26,240 --> 00:43:29,120
the ball. This is the hard way.
Episode number 25

295
00:43:31,160 --> 00:43:35,600
Unknown: when we first met,
something wasn't right, and

296
00:43:35,660 --> 00:43:42,400
better judgment would have kept
me to my higher self. Sweet.

297
00:43:42,400 --> 00:43:49,840
Nothing fed me full of lies, and
still, I can't forget the

298
00:43:49,840 --> 00:43:56,260
emptiness I felt I gave you all
I had to give In it never was

299
00:44:00,000 --> 00:44:00,420
minute

300
00:44:08,340 --> 00:44:12,840
arms inside your new tone.

301
00:44:20,000 --> 00:44:20,540
But you never

302
00:44:22,280 --> 00:44:23,300
meant it when you told me

303
00:44:26,840 --> 00:44:29,720
that you loved

304
00:44:32,540 --> 00:44:35,420
me. I had to find that out the
hard

305
00:44:39,140 --> 00:44:41,420
way. You said that you'd never
put someone else above me, and

306
00:44:41,420 --> 00:44:45,820
I'm pretty sure that's what they
all say. You were talking when I

307
00:44:45,820 --> 00:44:51,940
tuned out. Your timings never
right. Excuses always seem to

308
00:44:52,000 --> 00:45:00,960
glide right out your mouth.
Sweet Nothing. I. Faded all

309
00:45:00,960 --> 00:45:04,500
those nights I watched us fuck
it up as bottles, bottom down

310
00:45:04,500 --> 00:45:13,920
marks good and brush them often
I gave you

311
00:45:20,000 --> 00:45:26,240
I gave you When you told

312
00:45:36,680 --> 00:45:37,520
me that you loved me

313
00:45:42,680 --> 00:45:47,680
after I find that out the hard

314
00:45:49,180 --> 00:45:50,620
way. You said that you never

315
00:45:50,860 --> 00:45:55,180
put someone else above me, and
I'm pretty sure that's what they

316
00:45:55,180 --> 00:45:56,080
all say. You

317
00:45:59,140 --> 00:46:02,520
never meant it when you loved
me, I had

318
00:46:06,120 --> 00:46:13,200
to find that out the hard way.
You said that you'd never

319
00:46:13,920 --> 00:46:15,360
put someone else

320
00:46:17,640 --> 00:46:20,360
above me, and I'm pretty sure
that's what They all say. They

321
00:46:20,480 --> 00:46:20,960
all sing,

322
00:46:34,760 --> 00:46:36,260
boost the Grand Ball.

323
00:46:46,060 --> 00:46:50,320
Don't fall in love again.
Where's that little girl, man,

324
00:46:51,160 --> 00:46:55,120
cause I'm a boy, and she is my
girl, and everything I'm saying,

325
00:46:56,500 --> 00:47:03,780
You've got no chance to do every
day. Don't be a fool. Don't

326
00:47:10,620 --> 00:47:10,980
be a fool.

327
00:47:15,960 --> 00:47:20,160
You try and try again, but
you'll never win this game.

328
00:47:20,880 --> 00:47:25,040
You're wasting time, and things
I love will be the same. So look

329
00:47:26,000 --> 00:47:28,220
around for someone else. I'm
telling you before sleep. Don't

330
00:47:28,220 --> 00:47:33,380
be a fool. Don't be a fool.
Don't be a fool.

331
00:47:39,920 --> 00:47:40,960
Don't be a fool. So look

332
00:47:53,500 --> 00:47:54,460
around for someone else. I'm

333
00:47:54,760 --> 00:47:55,060
telling

334
00:47:59,260 --> 00:48:00,280
you before sleep, don't be a

335
00:48:02,080 --> 00:48:02,980
fool. Don't be a fool.

336
00:48:12,719 --> 00:48:15,419
Be a fool. Last night, you
walked around with that little

337
00:48:16,259 --> 00:48:20,959
girl of mine. You love to hug
and she and you, but I cried all

338
00:48:21,019 --> 00:48:24,019
The time. Please let her go.
Sounds

339
00:48:42,320 --> 00:48:44,500
Adam Curry: like a joy. John
Paul, George and Ringo, but it's

340
00:48:44,500 --> 00:48:47,920
not. It's Nicky and the shouts.
Don't be a fool. Classic music

341
00:48:47,920 --> 00:48:51,400
here in the value verse on
booster grand ball that was

342
00:48:51,400 --> 00:48:56,080
recorded in the 1960s in the
Netherlands. It was Nicky and

343
00:48:56,080 --> 00:48:58,420
the shout son who's in the
process of putting all of his

344
00:48:58,420 --> 00:49:02,460
dad's music from the 60s and 70s
into the value verse he's in

345
00:49:02,460 --> 00:49:08,640
Groningen, and his son, philanth
z is actively cataloging all the

346
00:49:08,640 --> 00:49:11,400
old local music from his home
town hall. It's great. Actually,

347
00:49:11,880 --> 00:49:16,080
I believe that Jim did an
interview with him on phantom

348
00:49:16,080 --> 00:49:19,920
power music hour. You should
definitely be subscribing to

349
00:49:19,920 --> 00:49:24,560
that in your modern podcast app,
thank you to salty crayon. 1000

350
00:49:24,560 --> 00:49:28,460
SATs man, what an
underappreciated for you to say

351
00:49:28,460 --> 00:49:32,300
under appreciation he liked
Nicky in the shouts of booster

352
00:49:32,300 --> 00:49:35,420
Grand Ball. Yes, herbivore band
said, I of course had a call

353
00:49:35,420 --> 00:49:38,840
come in. But what a great track
to tune back into at 2000 SATs

354
00:49:39,440 --> 00:49:43,180
and cotton gin said, Cool. Now
we can boost the Beatles. Not

355
00:49:43,180 --> 00:49:47,500
quite the Beatles, but there you
go. Quite the jam, indeed. Oh

356
00:49:47,500 --> 00:49:51,880
man, we got a few more tracks to
go before we wind. In fact, I

357
00:49:51,880 --> 00:49:54,280
probably got five or six,
actually, so we'll go longer

358
00:49:54,280 --> 00:49:57,760
than the usual allotted hour,
but that's okay. We have new

359
00:49:57,760 --> 00:50:03,180
music in the value verse from.
Mom, I believe this is new. No,

360
00:50:03,180 --> 00:50:06,060
no, no. This is this has been
around for a while. It's no, I

361
00:50:06,060 --> 00:50:12,420
always get this pronunciation
wrong. Is it ARIS? Arias, arias?

362
00:50:12,480 --> 00:50:15,780
I can never quite get it right.
Let me see I think ever

363
00:50:15,780 --> 00:50:20,540
pronounce and get a raise. There
we go. Array is Yes, finally got

364
00:50:20,540 --> 00:50:23,720
it right, and a reminder that
you are supporting the artists

365
00:50:23,720 --> 00:50:28,340
who put this music up, value for
value, in many different places.

366
00:50:28,340 --> 00:50:30,920
You can put it up on your own
server even, which is great if

367
00:50:30,920 --> 00:50:33,380
you're a brand new musician.
Have no idea what you're doing,

368
00:50:33,560 --> 00:50:39,620
wave lake.com, maybe for you, W,
A, V, l, a, k, e.com, and I

369
00:50:39,620 --> 00:50:43,060
think you can even now with some
of these different apps, you can

370
00:50:43,060 --> 00:50:46,240
even zap it from nostr. There's
so much going on I can barely

371
00:50:46,240 --> 00:50:49,780
keep up with all the
developments. All I know is that

372
00:50:49,780 --> 00:50:53,500
these songs are bona fide
awesome hits. They all belong

373
00:50:53,500 --> 00:50:57,160
right here in the boardroom. As
I've often said, the way the

374
00:50:57,160 --> 00:51:00,540
mainstream has always worked is
just repetition, repetition,

375
00:51:00,540 --> 00:51:04,380
repetition. If I hear a song
three times and I can hum it,

376
00:51:04,860 --> 00:51:08,760
it's a hit, as far as I'm
concerned. And that is exactly

377
00:51:08,760 --> 00:51:12,720
how it works. So if you got a
music podcast, get value

378
00:51:12,720 --> 00:51:15,840
versified. Here she is, a Reyes.
Five more minutes.

379
00:51:21,680 --> 00:51:28,340
Unknown: Oh, I wanna shine a
whiskey and a bottlene. I can't

380
00:51:28,340 --> 00:51:30,620
face the facts. I can't swallow
the pill

381
00:51:33,800 --> 00:51:40,420
that you know good for me, but I
want you still make me feel

382
00:51:40,480 --> 00:51:44,320
young like a kiss in the rain,
you make me feel dumb, like I'm

383
00:51:44,620 --> 00:51:49,360
going insane. You're going for
the good but you miss the vagin

384
00:51:49,600 --> 00:51:52,720
just five moments, five moment.

385
00:52:10,080 --> 00:52:26,300
I want to wear the crown. I want
to steal the throne. Independent

386
00:52:26,300 --> 00:52:31,520
is a pretty way of saying alone.
I want to take my shot, but you

387
00:52:38,239 --> 00:52:42,979
won't, and dancing with the
devil is too much fun. I want

388
00:52:49,719 --> 00:52:55,179
far too much, but baby, please
just find more minutes, five

389
00:52:55,359 --> 00:53:04,259
minutes. I don't know you gotta
move

390
00:53:09,060 --> 00:53:13,860
on with A shovel. I know you
want me

391
00:53:22,740 --> 00:53:40,600
with to the you baby

392
00:53:47,200 --> 00:53:47,920
girls, so you gotta

393
00:53:53,080 --> 00:54:00,120
go. You won't up.

394
00:54:15,000 --> 00:54:20,040
But you said five moment is an
hour

395
00:54:20,520 --> 00:54:21,360
ago.

396
00:54:21,480 --> 00:54:23,840
Adam Curry: Thank you. Heather
Larson for correcting me Yes.

397
00:54:24,200 --> 00:54:28,640
Ray Yes, and she says it's the
best damn song. 1000 sets.

398
00:54:29,360 --> 00:54:33,860
Indeed, awesome. Hello. None of
your business. Thank you for

399
00:54:33,860 --> 00:54:37,400
boosting in oh, here's Oceana
heart song. Love

400
00:54:37,399 --> 00:54:42,999
Unknown: is a portion fun in the
morning you gave me goosebumps.

401
00:54:43,659 --> 00:54:47,919
That was a morning. Your eyes on
the ocean.

402
00:54:56,620 --> 00:54:59,140
Call out, I don't know what you
want.

403
00:55:00,180 --> 00:55:02,640
I'm trying to stay afloat.
Caught

404
00:55:16,739 --> 00:55:22,639
in on the toe sheets of rain,
thunderstorm and Baby, I'm out.

405
00:55:24,200 --> 00:55:25,160
I can't get them

406
00:55:26,480 --> 00:55:27,500
sleep. She's afraid.

407
00:55:29,000 --> 00:55:29,960
Toss and turn

408
00:55:31,580 --> 00:55:34,820
and baby as we lay in sheets of
rain,

409
00:55:40,000 --> 00:55:50,440
the love is a poison. We got our
demons. I set myself up,

410
00:55:51,580 --> 00:55:54,100
guilty of treason, cold and
burn.

411
00:56:00,000 --> 00:56:06,360
In. I don't know what you want.

412
00:56:07,380 --> 00:56:10,800
I'm trying to stay afloat.
Caught in on the toe you would

413
00:56:10,800 --> 00:56:11,340
let me go

414
00:56:14,580 --> 00:56:15,900
find it forever.

415
00:56:24,080 --> 00:56:29,060
Happy. She's afraid thunder
storm and Baby, I'm my way. I

416
00:56:29,120 --> 00:56:39,740
can come see she's afraid. Toss
and turn and baby as we lay in

417
00:56:41,660 --> 00:56:42,640
sheets of flame. Of Light,

418
00:56:51,219 --> 00:56:54,279
Adam Curry: apparently home
grown in Hawaii, Oceana heart

419
00:56:54,279 --> 00:56:59,319
song and sheets of rain on
boosted RAM ball. This one is

420
00:56:59,559 --> 00:57:02,399
relatively new to the value
verse. These guys were brought

421
00:57:02,399 --> 00:57:06,059
in, actually, by Joe Martin. Who
doesn't know Joe Martin? It's

422
00:57:06,059 --> 00:57:10,139
two weeks in Nashville. Insiders
can just call him twin, if you

423
00:57:10,139 --> 00:57:13,379
like. Don't take this for
granted. Is new in the value

424
00:57:13,379 --> 00:57:15,299
verse here in the ballroom,

425
00:57:17,880 --> 00:57:21,440
Unknown: Mercedes Benz got much
more money than common sense.

426
00:57:28,940 --> 00:57:32,420
She looks back with the winner
ahead and looks you blow your

427
00:57:32,420 --> 00:57:33,500
mind. You know that

428
00:57:42,500 --> 00:57:49,000
life will go on even though she
was the one don't walk before

429
00:57:49,000 --> 00:57:50,140
you can run. This for granted.

430
00:58:00,000 --> 00:58:22,160
Sit on your mind all the time.
You know she breaks your heart

431
00:58:22,280 --> 00:58:23,000
and shake her off, you

432
00:58:30,739 --> 00:58:33,979
pray to God. You hope she'll be
back. You don't know what you

433
00:58:33,979 --> 00:58:35,119
have until it's done.

434
00:58:42,860 --> 00:58:47,320
You You know that life must go
on, even though she was the one

435
00:58:47,320 --> 00:58:50,500
don't walk before you can run.
Boy, you get what you deserve.

436
00:58:50,500 --> 00:58:52,120
You lose more than we learn, but
We learn how

437
00:59:00,000 --> 00:59:06,000
and more fun.

438
00:59:13,080 --> 00:59:48,640
Adam Curry: Oh, all right, I'll
be hip like all the kids say

439
00:59:48,640 --> 00:59:52,000
twin. It's twin two weeks in
Nashville. Don't take this for

440
00:59:52,000 --> 00:59:55,600
granted. We got two more to go
here on episode 25 of the boost

441
00:59:55,600 --> 00:59:58,780
to Grand Ball, slowing it down
just a little bit for Adam Kirk,

442
00:59:58,780 --> 01:00:01,380
up from the UK, be. Home. No.

443
01:00:01,380 --> 01:00:09,120
Unknown: Winter came early
today, already late for your

444
01:00:10,020 --> 01:00:20,960
dream. I love I'll bring the
play. Don't know the time till

445
01:00:20,960 --> 01:00:31,160
it's flown. It's too many years
since we've known a day with

446
01:00:31,400 --> 01:00:31,700
nothing.

447
01:00:37,700 --> 01:00:46,600
Draw back your chair. Draw my
fingers to your head. Let's be

448
01:00:46,600 --> 01:00:46,720
at

449
01:00:50,980 --> 01:00:52,240
home. Let's be at

450
01:00:57,340 --> 01:01:05,280
home. Let the

451
01:01:09,540 --> 01:01:11,280
world keeps

452
01:01:20,820 --> 01:01:34,580
turn off our phones for the day.
There's nothing outside but the

453
01:01:34,580 --> 01:01:40,840
rain. Let's not wish we could go
back.

454
01:01:49,120 --> 01:01:51,160
There's always tomorrow.

455
01:02:00,160 --> 01:02:07,620
Draw me in, draw your name into
my skin.

456
01:02:10,739 --> 01:02:13,079
Let's be at home. Let's be at
home.

457
01:02:23,840 --> 01:02:25,820
Let the world keep some drain
on.

458
01:02:29,540 --> 01:02:31,160
Let's be at home though.

459
01:02:36,920 --> 01:02:42,760
I know we can't stand forever
while I'm waiting out the

460
01:02:42,760 --> 01:02:51,040
weather, will take my time and
if this ceiling should collapse,

461
01:02:51,340 --> 01:03:01,080
so I could be okay with that, if
you be by my side, this house is

462
01:03:01,080 --> 01:03:06,060
just a bag of bricks to heart
that don't know how to quit that

463
01:03:06,060 --> 01:03:13,980
makes it bright and warm, and I
don't know what the road will

464
01:03:14,100 --> 01:03:17,640
ask. I'll put my shoulder to the
task of

465
01:03:17,700 --> 01:03:19,020
me. Can

466
01:03:22,620 --> 01:03:31,880
you draw? Home, so draw high in
the sand. Draw me right into

467
01:03:35,660 --> 01:03:37,820
your hands. Let's be at home.
Let's be

468
01:03:50,440 --> 01:03:55,000
let's be this path unfolds. Be
the battle.

469
01:03:59,260 --> 01:04:00,420
Let's be at home. Yet,

470
01:04:18,060 --> 01:04:21,200
let's be at home. Adam Kirk up,

471
01:04:22,520 --> 01:04:25,760
Adam Curry: be at home. Yes,
indeed, great, deep thought.

472
01:04:25,760 --> 01:04:31,880
Song says, Flo gar Kyle with
777, or 777, yes, cotton gin.

473
01:04:31,880 --> 01:04:35,840
Thank you for Yeah. Indeed,
chills, chill. Song home, karma

474
01:04:35,840 --> 01:04:40,220
for home, 1234, and thank you
sir. Libre lightning. Thrasher

475
01:04:40,220 --> 01:04:42,280
says, Good to have you back
doing regular shows. Well, I

476
01:04:42,280 --> 01:04:48,040
could not do it without, without
Mr. Costello on on the email

477
01:04:48,040 --> 01:04:51,820
helping me out here. He really,
really does make it possible.

478
01:04:51,820 --> 01:04:55,960
And I just love doing this so
much. It is now your

479
01:04:55,960 --> 01:04:59,200
responsibility to go out there
and to tell people about the

480
01:04:59,200 --> 01:05:02,580
value. Verse. All the many
fantastic shows that are out

481
01:05:02,580 --> 01:05:05,280
there, the songs that you can
find in all the modern podcast

482
01:05:05,280 --> 01:05:08,100
apps, if you're looking for more
music based shows,

483
01:05:08,100 --> 01:05:12,060
ellenbeats.com has a tab. You
can even rig up your wallet

484
01:05:12,060 --> 01:05:16,080
there so you can boost him. Also
streaming. Sats are beautiful.

485
01:05:16,080 --> 01:05:18,960
The artists love it. They get it
all. It is something

486
01:05:20,400 --> 01:05:23,960
spectacular. We got a baller
boost there. Hey, dirty Jersey

487
01:05:23,960 --> 01:05:28,760
whore. Thank you. 1976 Thanks
brother. It's really wonderful

488
01:05:28,820 --> 01:05:31,340
when artists see that people are
listening to their music and

489
01:05:31,340 --> 01:05:34,820
they appreciate it. It goes so
far beyond what they get on any

490
01:05:34,820 --> 01:05:38,900
of the traditional streaming
platforms like Spotify, where

491
01:05:38,900 --> 01:05:41,800
you don't really get anything,
you get some kind of dashboard,

492
01:05:41,800 --> 01:05:44,800
and maybe you'll get to pay. I
mean, basically everybody puts

493
01:05:44,800 --> 01:05:47,500
herself up on Spotify, and
Taylor Swift gets all the money,

494
01:05:47,500 --> 01:05:52,300
and you get nothing. It's the
what's what it's become. But

495
01:05:52,300 --> 01:05:55,960
that's okay, because here we
create communities around shows.

496
01:05:55,960 --> 01:06:00,600
We create communities around
artists. We have communities

497
01:06:00,600 --> 01:06:04,080
that support live shows. It's
really something to behold, and

498
01:06:04,080 --> 01:06:06,480
I'm very, very proud to be a
part of it. Is a complete

499
01:06:06,480 --> 01:06:10,260
community effort. And again, the
future of all media is small.

500
01:06:10,320 --> 01:06:13,560
You only need 1000 people to
support you. You could even do

501
01:06:13,560 --> 01:06:16,200
it with 500 as far as I'm
concerned, I've been living this

502
01:06:16,200 --> 01:06:19,620
way for 17 years. Value for
value. If you want to learn more

503
01:06:19,620 --> 01:06:23,900
about the whole concept is value
number four, value, dot info

504
01:06:24,320 --> 01:06:27,140
written up a couple of thoughts
about that, because it is, yes,

505
01:06:27,140 --> 01:06:32,000
a monetization model. It's also
a content format, and indeed, it

506
01:06:32,000 --> 01:06:35,900
is a way of life. We all can
live it. We all can enjoy it.

507
01:06:36,020 --> 01:06:39,200
Thank you so much. For those of
you tuning in live, we will be

508
01:06:39,200 --> 01:06:42,460
back again in two weeks with
another booster gram ball.

509
01:06:42,460 --> 01:06:45,820
That'll be episode number 26 I'm
very much looking forward to it.

510
01:06:45,820 --> 01:06:49,060
Thank you for being here today,
and remember you can always

511
01:06:49,060 --> 01:06:52,180
rewind, stop, pause and boost to
your heart's content. For these

512
01:06:52,180 --> 01:06:55,240
artists, let them know you love
their songs. Leaving you with

513
01:06:55,240 --> 01:06:57,940
Alicia stock went halfway to
Houston. See you next time,

514
01:06:57,940 --> 01:06:59,500
right here in the ballroom. I

515
01:07:01,719 --> 01:07:08,699
Unknown: was out for the song.
The morning, tiptoeing on

516
01:07:08,699 --> 01:07:17,339
eggshells and packing up my car.
The key was on the counter when

517
01:07:17,339 --> 01:07:24,739
I locked the door behind me so I
wouldn't have the chance to

518
01:07:25,219 --> 01:07:25,879
change

519
01:07:31,940 --> 01:07:39,080
my mind by the time he woke up.
Did he wonder, was I coming

520
01:07:39,080 --> 01:07:46,420
back, or was he glad to see you?
I was trying not to turn that

521
01:07:46,600 --> 01:07:55,360
car around. I was halfway and I
broke down.

522
01:08:03,780 --> 01:08:11,820
I guess you could say nothing
happened. It's not the same

523
01:08:12,120 --> 01:08:22,140
saying nothing was wrong. How
could we not notice a tenant has

524
01:08:22,200 --> 01:08:29,420
turned cold? It takes time to
build a callous halfway to

525
01:08:29,420 --> 01:08:41,320
Houston, by the time he woke up.
Did he wonder? Was I coming

526
01:08:42,160 --> 01:08:45,640
back? Was he glad to see me
gone? I was trying not to turn

527
01:08:45,640 --> 01:08:49,900
that car around. I was halfway,
and I broke down. I

528
01:09:00,000 --> 01:09:17,400
out for the first time, I had a
chance at myself just that I

529
01:09:17,400 --> 01:09:28,520
needed. Oh, the interstate gave
his face to see it. Then every

530
01:09:28,640 --> 01:09:30,920
mile per just

531
01:09:40,000 --> 01:09:57,040
I was halfway to Houston by the
time he woke up. Did he wonder?

532
01:09:57,700 --> 01:10:04,980
Was I coming back? Was he. Had
to see me gone, and I knew that

533
01:10:04,980 --> 01:10:16,440
there was no turning around. I
was halfway, halfway to stone,

534
01:10:18,000 --> 01:10:22,260
halfway when I broke the

535
01:10:40,360 --> 01:10:43,600
Adam Curry: boosting is love
podcasting, you.